The Best Latin Music on Bandcamp, June 2024 (Bandcamp daily)
The Best Latin Music on Bandcamp, May 2024 (Bandcamp daily)
The Marías Plunge Into The Depths On 'Submarine' (grammy.com)
The Transmutation of Angélica Garcia (bandcamp daily)
Grupo Frontera On 'Jugando A Que No Pasa Nada' (grammy.com)
The Best Latin Music on Bandcamp, April 2024 (Bandcamp daily)
The Best Latin Music on Bandcamp, March 2024 (Bandcamp daily)
The Best Latin Music on Bandcamp, February 2024 (Bandcamp daily)
Xmal Deutschland Are Undead (Bandcamp daily)
The Best Latin Music on Bandcamp, January 2024 (bandcamp daily)
cash bently, “cash corridos 3” (Bandcamp daily)
Maria BC, “Spike Field” (Bandcamp Daily)
Ibrahim Hesnawi, “the father of Lybian reggae” (Bandcamp Daily)
Mr. Greg & Cass McCombs, “Songs for Children” (bandcamp daily)
Pinhead Music: The Underground Delights Of Keyser, West Virginia (bandcamp daily)
Estrella del sol “figura de cristal” (bandcamp daily)
Stefana Fratila, “I Want To Leave This Earth Behind” (Bandcamp Daily)
Ecuatoriana: el universo paralelo de polibio mayorga (bandcamp daily)
jackie mendoza, “galaxia de emociones” (bandcamp daily)
come away with ESG: an interview with esg (Mississippi records)
A guide to the rich catalog of Peruvian label discos mag (bandcamp daily)
thirty years of Tortoise (bandcamp daily)
salsa, surrealism, and atomic anxiety: meridian brothers push boundaries on new album (grammy.com)
Mamman Sani Abdoulaye Took Nigerien Music Into the Future (Bandcamp daily)
Norma Tanega’s Unconventional Music Pushed the Boundaries of 1960s Folk (bandcamp daily)
experimental singer juana molina takes listeners into a visual world (the washington post)
“saturno 2000” tells the story of mexican sonideros (bandcamp daily)
Silvana Estrada is drawing from the traditional to develop a style of her own (The Washington Post)
Little Axe Records Reissues Real Unknowns (Bandcamp Daily)
For Otura Mun and Ìfé, music is prayer (The Washington Post)
Luzmila Carpio’s Music of Unity and Peace (Bandcamp Daily)
Mon Laferte is back, with a stunning take on Mexican music (The Washington Post)
Lena Platonos, “Balancers” (Bandcamp Daily)
Whatever Happened to Aurita Castillo, Cumbia’s Tiniest Queen? (Bandcamp Daily)
Ansonia Records Championed Latin Music (Bandcamp Daily)
On Sávila’s Mayahuel (Bandcamp Daily)
The Wild Story of JODI, Paraguay’s Lo-Fi Pop Outsiders (Bandcamp Daily)
The New Sound of Ambient in Argentina (Bandcamp Daily)
A Guide to Arhoolie Records’ Sixty Years of Down-home Sounds (Bandcamp Daily)
Spanish Label Vampisoul Reissues Rare Grooves From Latin America (Bandcamp Daily)
Lena Platonos Predicted Our Computer-Crazed Future on 1985’s “Gallop” (Bandcamp Daily)
On Ras Michael’s Live By The Spirit (Bandcamp Daily)
A Guide to Champeta Mainstay Palenque Records (Bandcamp Daily)
On Bartees Strange’s debut Live Forever (The Washington Post)
Miami Label Mango Hill Records Carries On the Legacy of Latin Soul (Bandcamp Daily)
On Sound Collective & Patti Smith’s Peradam (Tone Glow)
Otro Mundo Es Posible: Inside Argentina’s “El Expreso Imaginario” (Music Journalism Insider)
On Asher Gamedze’s Dialectic Soul (Tone Glow)
On Crazy Doberman’s illusory expansion (Tone Glow)
Black Girls Rock! Festival returns to the Kennedy Center (The Washington Post)
With Y La Bamba, Luz Elena Mendoza turns ancestral trauma into ancestral gifts (The Washington Post)
Sofiane Saidi and Mazalda bring the spirit of raï music to the District (The Washington Post)
Les Filles de Illighadad at the Library of Congress (Fall Arts Guide, Washington City Paper)
The Scene Report: Twatsnot, Dura, Too Free, and Tristan Welch (Washington City Paper)
Clear Channel, William Basinski, Alash Ensemble (Spring Arts Guide, Washington City Paper)
The Scene Report: Donna Slash, Jax Deluca, Lightmare, and Replicant Eyes (Washington City Paper)
On Escape-ism’s The Lost Record (Washington City Paper)